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The Invisible Orchestra Behind the Filming of “Que Se Acabe Todo”
While the camera never stops, a high-precision gear operates behind its back. This is how the team that built this sequence shot worked. Filming in a sequence shot imposes a relentless technical condition: there is no cut to save an error. In Que Se Acabe Todo,...
A Star-Studded Cast for Que Se Acabe Todo
Mariana Loyola, Juan Minujín, Daniel Muñoz, Magdalena Müller, and Pablo Brunetti lead the cast in Moisés Sepúlveda’s new thriller. Alongside figures like Daniel Alcaíno, Francisca Aronsson, and Gabriel Cañas, they form an experienced team betting on artistic risk and...
Betting on Cinema: Daniel Hammer and Felipe Cabello
It sounds like the beginning of a joke: an ophthalmologist and a soil mechanics engineer walk into a film production company. But that is the reality behind the contributions that made filming Que Se Acabe Todo possible. For Daniel Hammer, general manager of the...
“Making films is an act of resistance”: Benjamín Vicuña Faces the villain of Que Se Acabe Todo
He is not a monster; he is a snake charmer. Vicuña takes on the challenge of humanizing greed in the skin of Max Mayol, the antagonist who believes he is saving the ship while sinking it. Although he is the villain of the story, Max Mayol does not wake up in the...
Filming Fraud: Admiral One Transformed Its Offices Into the Set of Que Se Acabe Todo
While the cameras and the JUNTOS crew wander through its hallways, the partners of Admiral One detail how their technology seeks to prevent the La Polar case from being repeated in real life. They lent their offices on Paseo Ahumada to film Que Se Acabe Todo, but...
A Seamless Labyrinth: Natalia Peña and the Locations of Que Se Acabe Todo
There is a common confusion regarding the work of a location manager, as if they were merely aesthetic detectives who go for a stroll looking for pretty facades. The reality is much harsher: a location is useless if it is beautiful but cannot withstand the invasion of...
Mauro Veloso: “It is a great privilege to be able to take a camera, to be the first spectator”
From his childhood fascination with the big screen to the complex choreography of the latest JUNTOS shoot, Mauro Veloso is the director of photography for “Que Se Acabe Todo”. Before operating cinema cameras, Mauro Veloso watched movies on a tiny television in the...
The Art of the Invisible Ellipsis: Why “Que Se Acabe Todo” Was Filmed in a Single Sequence Shot
Economic crimes involve no blood, no guns, and no high-speed chases. Instead, they consist of Excel spreadsheets, emails, and closed-door meetings. The challenge for Que Se Acabe Todo was evident: How do you film the adrenaline of financial fraud when the "body of the...
JUNTOS in Madrid: Moisés and Pancho at the Iberseries Platino Industria Showrunners Workshop
From Santiago to Madrid’s Matadero, JUNTOS joined the conversation on the future of Ibero-American series, exploring the craft of keeping a story alive from the first draft to the final frame. Between coffees, cañas and tapas, Moisés Sepúlveda and Francisco Hervé,...
Rocío Huerta: “Making films is a way of recording our times”
From watching movies in an old theater to directing her own story on the big screen. Today, Rocío’s voice expands with Reina Japonesa, her debut feature produced by JUNTOS. At the historic Teatro Centenario in La Serena, Rocío Huerta discovered her first fascination...