Mariana Loyola, Juan Minujín, Daniel Muñoz, Magdalena Müller, and Pablo Brunetti lead the cast in Moisés Sepúlveda’s new thriller. Alongside figures like Daniel Alcaíno, Francisca Aronsson, and Gabriel Cañas, they form an experienced team betting on artistic risk and a critical review of recent history.
Assembling a cast of this caliber is not just a production necessity, but a requirement for a story that demands equal parts craftsmanship and precision. This shared factor brought together actors like Mariana Loyola, Juan Minujín, Daniel Muñoz, Magdalena Müller, and Pablo Brunetti to join the project.
For Mariana Loyola, who plays Rebeca López, the main draw was the directorial vision and the challenge of stepping out of her comfort zone. “I really like the risk involved. I think when risky films are made, there is a bold move that I applaud: not doing the same old thing, crossing the river,” the actress remarks, also valuing the chance to work for the first time with Moisés Sepúlveda, a long-time friend.
In an industry saturated with effects, Argentine actor Juan Minujín highlights the nature of this shoot: “There is a lot of CGI, a lot of VFX, thousands of things that intervene digitally in the industry. I find it very beautiful to be able to do something in an almost more theatrical and artisanal way.” His character, investor Toto Quintana, allowed him to delve into the profile of financial crimes. “It’s a genre I find inherently interesting, that of scams and white-collar thieves. I like it a lot because often that is when we are robbed the most: in that way, rather than through violence,” he reflects.
Within the corporate web of the fiction, Magdalena Müller plays Cecilia Sepúlveda, an assistant who chooses to look the other way while the crime is forged. “Cecilia is someone who does her job. She considers that’s what she’s paid for and she’s there. She doesn’t question much,” Magdalena explains. The actress values the script’s courage to be uncomfortable: “Rarely do people have the bravery to talk about incorrect things… I think it’s very attractive to see that the protagonists are not heroes.”
From upper management, Pablo Brunetti takes on the role of Manuel Echeverría. The actor highlights the film’s ability to investigate a deep social crisis: “We are shown one or two layers, what one can see in the newspapers, and the film keeps digging and discovering more layers, I think it serves as an example so that this doesn’t happen again.”
The human counterpoint is provided by Daniel Muñoz as Tito Zari, the protagonist’s brother. He represents emotional support against a cold corporate world: “Despite all the problems he can cause, deep down he is what María needs to feel she is not alone.” For the actor, cinema here has a duty of memory: “It is a necessary story, a wake-up call to what we are capable of as people. The magic and the duty of every cinematic production is to remind us where we come from and where we are going.”
Joining this group are other heavy hitters who round out the cast, such as Daniel Alcaíno, Daniela Lhorente, Guilherme Sepúlveda, and Gabriel Cañas. Together, they form a solid ensemble designed to sustain the dramatic and ethical tension proposed by Que Se Acabe Todo, turning every performance into a fundamental piece of a collective machine.